Conscientious, meticulous and discerning. Applies care, accuracy and dedication to
people, ideas and situations. Driven by curiosity, purpose and a desire to
understand deeply and make complex systems function better.
Bachelor of Arts, Indigenous & Gender Studies — UNSW, with Distinction.
Bachelor of Fine Arts, Moving Image & Sculpture — UNSW, with Distinction.
Languages: English (native) · Spanish (professional).
Experience
Systems Coordinator — Over! Statement.
Oct 2025–present
Brand agency
Designed and implemented a centralised research system, surfacing connections between findings that were previously invisible.
Edited a two-phase ad campaign in multiple aspect ratios for Women's Community Shelters, selecting engaging hooks and following audience-research recommendations.
Designing and building a custom website for the agency to develop its brand presence.
First Assistant Director — Unspeakable
Aug 2025
Independent documentary
Coordinated daily and overall production schedules to keep the shoot on time and in budget.
Managed set flow, crew movement and daily call sheets.
Communicated and enforced safety rules, and managed on-set problem-solving.
Provided support to crew and referrals to mental health professionals following days documenting interviews about distressing experiences.
Digital Content Coordinator — Camp Quality
Sept 2021 – April 2024
National children's cancer charity · marketing team · grew from intern to video producer
Produced and edited 200+ case-study, campaign, social and fundraising videos on location and in an in-office green-screen studio.
Hired and briefed 5+ freelance videographers and production agencies, managing contractor relationships, budgets and invoicing, and directing edits to ensure professional quality, frame brand messaging and achieve campaign objectives.
Upheld stringent brand compliance across visual and written content, including during and after a national brand refresh.
Built and implemented org-wide video-storage, briefing, filing and production systems, saving employees an average of two hours a week.
Cinematographer — A Day with Nanna, independent documentary (2025, in post-production).
Director, camera, set & costume — Utopic Dreamscapes, five-channel video work (2023).
Set decoration — The Big Bang, UnHoly Cherry (2023).
Directed and edited short films and performance works, including We Are Looking For Permission to Dream Again (2023) and Letter for Nanna (2022).
Groundswell — climate campaign video cut from existing footage (2021).
United Nations Association of Australia — video content production (2018–2019).
UNSW Global Dialogue on Ocean Accounting — event documentary video (2019).
Planned career break, April 2024 – Aug 2025, for travel.
Software
Adobe Premiere Pro (advanced), After Effects, Photoshop, Illustrator, Lightroom,
DaVinci Resolve and Canva. YouTube Studio, Vimeo, Asana, SharePoint, Microsoft
Suite (including Excel) and Google Workspace. GitHub, Vercel and Claude Code.
Certifications & licences
First Aid & CPR.
Working With Children Check — valid to 2028.
Indigenous Cultural Competency, Camp Quality — 2024.
Safeguarding Children, Australian Childhood Foundation — 2023.
Mental Health First Aid — 2019.
LGBTQIA+ Allyship training, UNSW — 2019.
White Card.
Driver's licence — manual, including vans.
Police check — 2025.
Independent practice
Edge of Bliss — five-channel video installation (Utopic Dreamscapes), a mechanical sculpture and a group-poem performance recorded for the show; projectors rigged and synced. No Reply exhibition (2023).
Temporal Equanimity — film photography series (2025).